Monday 30 August Tuesday 31 August Wednesday 1 September Thursday 2 September Friday 3 September Saturday 4 September Sunday 5 September Monday 6 September Tuesday 7 September Wednesday 8 September Thursday 9 September Friday 10 September Saturday 11 September Sunday 12 September Monday 13 September Tuesday 14 September Wednesday 15 September Thursday 16 September Friday 17 September Saturday 18 September Sunday 19 September Monday 20 September Tuesday 21 September Wednesday 22 September Thursday 23 September Friday 24 September Saturday 25 September Sunday 26 September Monday 27 September Tuesday 28 September Wednesday 29 September Thursday 30 September Friday 1 October Saturday 2 October Sunday 3 October Monday 4 October Tuesday 5 October Wednesday 6 October Thursday 7 October Friday 8 October Saturday 9 October Sunday 10 October Monday 11 October Tuesday 12 October Wednesday 13 October Thursday 14 October Friday 15 October Saturday 16 October Sunday 17 October Monday 18 October Tuesday 19 October Wednesday 20 October Thursday 21 October Friday 22 October Saturday 23 October Sunday 24 October Start from Scratch Documentary No More Fun and Games Eminem Nate Dogg Special feat.
Mary J. Blige Like Father, Like Son feat. Busta Rhymes. Sections are listed along the left side of the window show me. Each section can have multiple pages inside of it. To organize or add sections, click the "Organize Sections" link show me. You can rename any section by clicking on the icon that appears, rearrange sections by clicking and dragging them, or delete sections by clicking the icon. Sections have multiple pages. You can see the list of pages for the current section on the right side of the window show me.
He just chills with some sweats on, Jordans, a hat, and a jacket or a hoodie or something. Then he comes in with more Taco Bell then the law allows man. Fucking, Taco Supremes and Mountain Dew. And he listens, "How you feeling? You like this joint?
Aight, do ya thing. He writes in circles on the paper. He literally turns the paper man and writes from the inside outside, some weird shit. Em [added the samples in the hook].
Every voice on there is him. Em can do anything. Dude is a genius. Angelo Sanders: I went to Detroit with Game. Em was super professional. He came in, "What do you wanna do? We wanted him. Love or hate the record, we knew what we wanted with that.
We coulda done something different, but Game wanted to compete with Em on his own shit. And, literally it was what he said on it, Em ate him up. Nate Dogg just came in and I told him what to do. Focus: At the time, I was signed to Aftermath. I was signed right after Dre just called him and told him he wanted one of those West Coast hooks, and Nate Dogg is the legend of that.
Originally the song was Dre, Game, and Nate Dogg on the record. The version with Dre is floating around on the Internet. We wanted some electrifying new sound to break a new generation. Game had built his name from the mixtapes where he did different sounds. You always gotta do something for your core. We was in the studio for all the songs 50 is on. You know what, 50 was on the hook when I got the beat. It was from And he gave it to me, and I put Nate Dogg on it.
Needlz: I was doing a lot of stuff with G-Unit at the time. I got a call and it was like, "Yo, we want this beat. If you listen to it, it sounds like a 50 hook. It would have been insane. The original sounds much better and fuller. After hearing the album, I really wished he would have picked another beat that kind of showcased what I can do. There was some amazing beats on that album. That was probably one of the most well-put-together [albums], production-wise, in a long time.
Angelo Sanders: I hated the record. At the time, 50 and G-Unit had been coming with those lovey, dovey records. That was supposed to be that. That was a record that the label was on some, "You gotta have that for the radio and for the chicks. I never felt that Game was that type of artist. Those records never have worked for him.
That would be the one where we felt like we forced it. I just changed a couple lines so they would suit Mary. That shit just took like a half hour or something. I just damn near freestyled that shit. But I mean the verse was only like eight bars. Mike Lynn: That was Game being more comfortable working with Dre and allowing his own personality to come out on record.
Whenever somebody works with Dre they want to do some N. A shit. As soon as you tell somebody, "Play me something for Dre," automatically they want to talk street shit instead of just coming out with the best record. Not just giving us the street, but a little bit more across the board, not being one dimensional.
Game: It only made sense to end the album with that song. I dunno, where else could I put talking to my kid? I did that in the same session I did the Just Blaze joint. I ran through the Just Blaze joints so fast that I just did that one while I was there.
I heard the beat and thought of my son, I just thought about my kid being born because that was big for me. Recording that shit was like I took myself [back to the day he was born]. I had all the experiences because I just lived them eight months ago, I was just sharing it with the world. These are real life situations. They made me who I am. It was two, three in the morning and it was a cold, snowy night. Game's grind is incredible, he'll take song after song in the studio all day.
Busta was the perfect instrument that was missing. With most of my career, I made music for stories like that. I expected a song with substance, but it was a very powerful song. I guess it's what we call hip-hop, when a person is really giving you they life.
Angelo Sanders : It took Game a lot of time to write that. He wanted to really write that from the heart. Adding Busta was his way of adding another voice to it just to make it not so much about him and his son. Angelo Sanders: You gotta understand what Game was going through. He was 22 years old: Foster homes, broken homes, abuse, the molestation of his sisters He was just enamored that he could call these people his peers.
He was fucking with Dre, so he got open arms early. Busta Rhymes is telling you how dope you are at 22 years old, like huh? A kid from Compton? He was able to do it, he pulled it off, and has been doing it ever since. He had to find the difference between being a street nigga and being an artist on that album. He became bigger than just himself on that record. Mike signed me. You had nothing to do with me getting a record deal.
And at the time, Game was becoming a star. The music, the management—we was like a deal before those things became popular. Any time you have an artist, their ego starts to grow as their popularity starts to grow. They all go through that. Free Jazz. Others Jazz. US Rap. Old School Rap. West coast Rap. East coast Rap. Others US Rap. French Rap. International Rap.
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